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DTSTART;VALUE=DATE:20250516
DTEND;VALUE=DATE:20250519
DTSTAMP:20260423T181759
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SUMMARY:Aesop's Fables
DESCRIPTION:Aesop’s Fables\nBy Christopher Parks\nMay 16–18 \nDirected by Shirley Serotsky \nAudiences of all ages will delight in this interactive production that weaves storytelling and song together to bring Aesop’s world of fables and their valuable life lessons to the stage. A team of talented performers brings classic stories like “The Tortoise and the Hare” and “The Boy Who Cried Wolf” to life\, this time with humor and a fresh new take. \nPerformance Schedule:\nFriday\, May 16 at 9:30 & 11:30 am\nSaturday\, May 17 at 10 am & noon\nSunday\, May 18 at noon \nAesop’s Fables will take place indoors\, on the Niederkorn stage.\n  \nMeet the Team:\n \nCarley S. Robinson\nPlayer 1 \n  \n \nJohn Simon\nMusician \n  \n \nColin Smith\nPlayer 3/Scenic Designer \n  \n \nIlana Wallenstein\nPlayer 2 \n  \n \nShirley Serotsky\nDirector \n  \n \nSarah Bechtel\nCostume Designer \n  \n \nRosa Maassen\nLighting Designer
URL:https://hangartheatre.org/event/aesopsfables/
LOCATION:NY
CATEGORIES:KIDDSTUFF
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250511T190000
DTEND;TZID=America/New_York:20250511T190000
DTSTAMP:20260423T181759
CREATED:20250301T143332Z
LAST-MODIFIED:20250301T150130Z
UID:18802-1746990000-1746990000@hangartheatre.org
SUMMARY:Tapestry Unraveled: The Music of Carole King
DESCRIPTION:The Hangar Theatre Presents\nTina Naponelli in\nTapestry Unraveled: The Music of Carole King\nSunday\, May 11 @ 7 pm\nTickets: $35 \n  \nTapestry Unraveled \nTina Naponelli has captured the true essence of Carole King and brings to you a unique and unforgettable tribute experience. Tina’s powerful voice and soulful dedication pay homage to the iconic Queen of Pop. This is an unplugged night of music featuring a trio performing impressive renditions of “I Feel the Earth Move”\, ”Chains”\, and “You’ve Got a Friend”\, from Carole King’s “Tapestry” album\, as well as other favorites. \nHailed as one of the most successful and talented female pop artists\, Carole King has carved out an iconic place in music history. From her beginnings as the songwriter of classics like “Will You Love Me Tomorrow” (The Shirelles) and “Take Good Care of My Baby” (Bobby Vee\, 1961)\, Carole King began her rise to music hall of fame. In 1971\, her solo album “Tapestry” launched her to the top of the charts with hits like\, “I Feel the Earth Move” and “Natural Woman”\, winning her four Grammy Awards for Best Record\, Song and Album of The Year as well as Best Pop Vocal Performance\, Female honors for Carole. \n  \n 
URL:https://hangartheatre.org/event/tapestry-unraveled-the-music-of-carole-king/
LOCATION:NY
CATEGORIES:Hangar Spotlight
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250510T200000
DTEND;TZID=America/New_York:20250510T200000
DTSTAMP:20260423T181759
CREATED:20250225T150012Z
LAST-MODIFIED:20250219T210128Z
UID:18761-1746907200-1746907200@hangartheatre.org
SUMMARY:DSP Shows: The Bones of J.R. Jones
DESCRIPTION:DSP SHows: The Bones of J.R. Jones\nSaturday\, May 10\, 2025 @ 8 pm\n  \nTickets: \nOn sale Friday\, 2/28\n$20 in advance\n$25 at the door \n  \nThe Bones of J.R. Jones \n“There was no ‘a-ha’ moment\,” says Jonathon Linaberry\, “no life-changing revelation\, no\nsingular flash of inspiration. It was just a fierce\, steady\, undeniable energy\, a force of nature I had to wrestle and wrangle with for years until I could harness it.” \nIt’s easy to understand\, then\, why Linaberry—better known as The Bones Of J.R. Jones—would call his mesmerizing new album Slow Lightning. As its title would suggest\, the collection is raw and visceral\, pulsating with an understated electrical current that flows just beneath its seemingly placid surface. The songs are restless and unsettled here\, often grappling with doubt and desire in the face of nature and fate\, and frequent collaborator Kiyoshi Matsuyama’s production is eerily hypnotic to match\, with haunting synthesizers\, vintage drum machines\, and ghostly guitars fleshing out Linaberry’s already-cinematic brand of roots noir. The result is a moody\, ominous work that’s equal parts Southern Gothic and transcendentalist meditation\, an instinctual slice of piercing self-reflection that hints at everything from Bruce Springsteen and Bon Iver to James Murphy and J.J. Cale as it searches for meaning and purpose in a world without easy answers. \n“I felt very lost at the time I was writing these songs\,” Linaberry confesses. “It was a moment of deep crisis and anxiety\, but I knew the only way out was through\, which meant I just had to bring myself to the table every day and put in the work.” \nLinaberry’s no stranger to putting in the work. Born and raised in central New York\, he got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax\, who documented rural American blues\, folk\, and gospel musicians throughout the 1930s and ’40s. Inspired by the unvarnished honesty of those vintage performances\, Linaberry launched The Bones of J.R. Jones in 2012 and\, operating as a fully independent artist over the course of the ensuing decade\, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including Suits\, Daredevil\, Longmire\, and Graceland; and toured the US and Europe countless times over as a one-man-band\, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Along the way\, Linaberry also shared bills with the likes of The Wallflowers\, G. Love\, and The Devil Makes Three\, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi\, and earned praise from Billboard\, American Songwriter\, and Under the Radar\, among others. \nAfter living in constant motion for the better part of ten years\, though\, Linaberry found himself at an unexpected standstill in 2021. At the time\, he and his wife had recently relocated from Brooklyn to an old farmhouse in the Catskills\, and the change of pace was both rewarding and challenging all at once. \n“It’s a pretty remote\, rural area we moved to\,” Linabery explains\, “the kind of place where\nspring is just a continuation of the cold\, grey\, muddy\, brown of winter. I was exhausted by the seasons\, working on songs nine hours a day in the attic\, and it all felt very isolated and insular.” \nWhere the most recent Bones of J.R. Jones release\, 2021’s A Celebration\, drew inspiration from a trip into the vast\, desert expanses of the American southwest\, the songs that began taking shape in upstate New York this time around were more difficult to pin down\, seeming to come and go of their own accord. \n“That’s where the notion of ‘slow lightning’ was born\,” Linaberry explains. “It’s about a power you can’t control\, a force that’s bigger than you and follows its own path no matter how badly you want to mold or direct it. That’s what this record felt like\, and it’s something I had to figure out how to embrace.” \nThat kind of all-consuming power is palpable from the start on Slow Lightning\, which begins with the boisterous “Animals.” Gritty and insistent\, the track taps into something primal and uninhibited\, learning to trust its gut and make peace with aiming high and sometimes falling short. “Well my heart’s just trying to kill me\,” Linaberry sings over roiling guitars and drums. “It always vibrates above / With always grand notions / But it plays in the mud.” Like so much of the album\, it’s a testament to resilience\, to letting go of failure and pressing on even when things feel hopeless. The bittersweet title track explores tenacity in the face of\ndisenchantment\, while the lo-fi “Blue Skies” insists on reaching for hope regardless of the cost\, and “The Flood” conjures up a wistful portrait of survival and loss as it builds from a dreamy blur into a searing crescendo. \n“I remember lying in bed in the dark hearing the coyotes laughing out in the field behind our house just before they killed something\,” Linaberry recalls. “It was so haunting and eerie\, but at the same time\, you’re just so totally in awe of what’s happening right outside your window\, this elemental moment of life and death all wrapped up together.” \nDespite the looming sense of danger that permeates the album\, Slow Lightning still manages to find moments of humor and levity. The darkly romantic “I’ll See You In Hell” revels in a love so strong it carries on through eternal damnation; the sardonic “I Ain’t Through With You” gets high on an addictively toxic relationship; and the relentlessly taut “Heaven Help Me” surrenders to overwhelming infatuation\, with Linaberry recalling\, “Love is the kind of thing that will keep you warm / That’s what she said / As she was burning down my home.” \nIn the end\, though\, it’s perhaps the breezy “Salt Sour Sweet” that best encapsulates the spirit of the record\, with Linaberry looking back on a lifetime of love and heartbreak\, dreams and disappointment\, success and failure\, and ultimately recognizing that it’s the grand sum of them all that make us who we are. “It’s the salt sour and sweet / That holds\,” he sings in an airy falsetto. Call it maturity\, call it self-awareness; it’s the kind of wisdom that can only arrive on a bolt of Slow Lightning.
URL:https://hangartheatre.org/event/dsp-shows-the-bones-of-j-r-jones/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250425
DTEND;VALUE=DATE:20250428
DTSTAMP:20260423T181759
CREATED:20250214T170431Z
LAST-MODIFIED:20250214T172409Z
UID:18726-1745539200-1745798399@hangartheatre.org
SUMMARY:Opera Ithaca: Lucidity
DESCRIPTION:Lucidity\nBy Laura Kaminsky and David Cote\nApril 25–27\, 2025\nCo-commissioned by Opera Ithaca alongside OnSite Opera\, Seattle Opera\, Opera in the Heights\, and Tri-Cities Opera\, Lucidity explores themes of memory\, consciousness\, and the human experience through a poignant\, contemporary lens. Through this regional premiere\, Opera Ithaca is reaffirming its role as a key player in the national opera landscape. It provides a platform for voices and stories that are too often overlooked. \n  \n  \nPerformance Schedule: \nFriday\, April 25 @ 7:30 pm \nSaturday\, April 26 @ 7:30 pm \nSunday\, April 27 @ 2 pm
URL:https://hangartheatre.org/event/opera-ithaca-lucidity/
LOCATION:NY
CATEGORIES:Opera Ithaca,Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250406T200000
DTEND;TZID=America/New_York:20250406T200000
DTSTAMP:20260423T181759
CREATED:20250115T170111Z
LAST-MODIFIED:20250115T170111Z
UID:18661-1743969600-1743969600@hangartheatre.org
SUMMARY:DSP Shows Presents: Dar Williams
DESCRIPTION:DSP Shows Presents: Dar Williams\n  \nSunday\, April 6\, 2025\nDoors open at 7 pm; Show is at 8 pm\n  \nTickets:\nOn Sale: Friday\, January 17 at 10 am\n$35 in advance\n$40 at the door \n  \nDar Williams\nDar Williams’ lyrics contain bouquets of optimism\, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve\, and she rejects the exceptionalism that encourages us to “admire that yonder star\,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point\, you just can’t. \nLike everyone else\, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album\, her 12th studio recording\, in November of 2019. In late February of 2020\, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell\, who produced the track and played guitars\, pedal steel and twangy baritone guitar. When told they had to postpone a mid-March mixing date\, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point\, you have to meet life where it meets you …the common thread throughout that these songs\, the willingness to meet life as it arrives. \nDar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene\, inspired by the eclectic influences of alt-rockers\, Berklee jazz musicians\, slam poets\, and folk artists\, like Patty Griffith\, Melissa Ferrick\, the Throwing Muses\, Vance Gilbert\, and Jonatha Brooke. After a year of touring non-stop with her first album\, The Honesty Room\, in 1994\, she was invited by Joan Baez to tour in Europe and The United States. \n“Good and bad things happen\, and it’s not necessarily a reward or indictment. I’ve just got to meet it.” Williams observes. “Like\, I’m bringing my whole life to this moment; it will surprise me\, challenge me\, show me where I was wrong\, even make a fool out of me\, but my job is to show up and not take adversity personally. Real happiness doesn’t have to feel like Snoopy dancing with Woodstock; it can just be knowing you have the resilience to meet whatever comes to you. I will call that a good life.”
URL:https://hangartheatre.org/event/dsp-shows-presents-dar-williams/
LOCATION:Hangar Theatre\, 801 Taughannock Blvd\, Ithaca\, NY\, United States
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250330T200000
DTEND;TZID=America/New_York:20250330T200000
DTSTAMP:20260423T181759
CREATED:20241008T010124Z
LAST-MODIFIED:20250305T222523Z
UID:18479-1743364800-1743364800@hangartheatre.org
SUMMARY:DSP Shows: Tom Green Comedy Tour
DESCRIPTION:Tom Green Live Comedy Tour\nWith Kenneth McLaurin\n  \nSunday\, March 30\, 2025\nShow at 8 pm; Doors Open at 7 pm\n  \nOn Sale: Friday\, 10/11 at 10 am \nTickets: $40 \nPlease note – the Hangar Theatre does not handle ticketing for DSP shows.  If you need assistance with tickets contact DSP directly at info@dspshows.com or 607-280-2900. \nTom Green\n \nYou know Tom Green from his innovative\, anything-goes run as the most unpredictable personality on MTV’s “The Tom Green Show”\, and his unforgettable\, deliciously loony roles in uproarious film comedies including “Road Trip\,” “Charlie’s Angels\,” “Bob The Butler\,” “Stealing Harvard\,” and “Freddy Got Fingered.” \nThe multi-talented Canadian comedian\, actor\, director\, and broadcaster graced the cover of Rolling Stone\, commandeered the coveted guest-host chair on “The Late Show with David Letterman\,” and conquered the World Wide Web with his free-wheeling\, wildly popular internet talk show\, which has been credited with kicking off the podcast revolution.  He tours worldwide\, performing standup comedy at sold-out venues.  Tom launched his Canadian company\, Tom Green Productions Inc.\, with soon to be announced exciting new projects.
URL:https://hangartheatre.org/event/dsp-shows-tom-green-2025-home-to-the-country-comedy-tour/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250328T183000
DTEND;TZID=America/New_York:20250328T183000
DTSTAMP:20260423T181759
CREATED:20250217T234730Z
LAST-MODIFIED:20250217T235904Z
UID:18746-1743186600-1743186600@hangartheatre.org
SUMMARY:WVBR Celebrates John Rudan
DESCRIPTION:WVBR Celebrates John Rudan: 50 Years on the Radio\nIntroducing Revival\, Ithaca’s Newest Rock and Soul Big Band.\n  \nFriday\, March 28 @ 6:30 pm \nTickets: $12 \nMusic and Milestones: A dance party honoring John Rudan’s 50 years as a WVBR radio host. For your listening and dancing pleasure: Introducing Revival\, a rock and soul band featuring some of Ithaca’s most accomplished and legendary musicians. \n  \n \n  \nPlease note seating is General Admission for this performance.
URL:https://hangartheatre.org/event/wvbr-celebrates-john-rudan/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250321T200000
DTEND;TZID=America/New_York:20250321T200000
DTSTAMP:20260423T181759
CREATED:20250207T014437Z
LAST-MODIFIED:20250207T020233Z
UID:18692-1742587200-1742587200@hangartheatre.org
SUMMARY:The Waiting Room: A Tribute to Genesis and Peter Gabriel
DESCRIPTION:The Waiting Room: A Tribute to Genesis and Peter Gabriel\n  \nFriday\, March 21\, 2025\nDoors open at 7 pm; Show is at 8 pm\n  \nTickets:\n$25 in advance\n$30 at the door \n  \nThe Waiting Room\, America’s premier tribute to Genesis and Pater Gabriel\, makes its debut at the Hangar Theatre with a brand new show\, including classics from the entire Genesis catalog as well as Peter Gabriel solo material.
URL:https://hangartheatre.org/event/the-waiting-room-a-tribute-to-genesis-and-peter-gabriel/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250314T190000
DTEND;TZID=America/New_York:20250314T190000
DTSTAMP:20260423T181759
CREATED:20250211T221759Z
LAST-MODIFIED:20250211T222924Z
UID:18702-1741978800-1741978800@hangartheatre.org
SUMMARY:Improv Class Showcase
DESCRIPTION:Improv Class Showcase\n  \nFriday\, March 14\, 2025 @ 7pm\n  \nTickets: $10\n\n\nSee friends\, family\, and community members show the skills they’ve picked up in class on the big stage. Over 8 weeks\, these performers have learned how to use the concepts of game and pattern in improv to make each other look brilliant and hilarious. Sit back\, relax\, and laugh your whole butt off as they make up an entire show on the spot using your suggestions.\n\nIf you are interested in taking an improv class or performing improv at the Hangar Theatre\, email boxoffice@hangartheatre.org or instructor Ilan Kaplan at ilanjkaplan@gmail.com.\n\nPlease note seating is General Admission for this performance.
URL:https://hangartheatre.org/event/improv-class-showcase/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250215T180000
DTEND;TZID=America/New_York:20250215T180000
DTSTAMP:20260423T181759
CREATED:20250107T202736Z
LAST-MODIFIED:20250212T204824Z
UID:18622-1739642400-1739642400@hangartheatre.org
SUMMARY:Destiny La Vibe Presents: Circus of Love- Valentine’s Extravaganza 2
DESCRIPTION:Destiny La Vibe Presents: Circus of Love- Valentine’s Extravaganza 2\nSaturday\, February 15th @ 6 pm\n  \nGet ready for an electrifying Valentine’s concert that promises to be a night to remember! Destiny La Vibe and Vibe Nation will take the stage\, bringing together an incredible blend of soul\, R&B\, pop\, rock ‘n’ roll\, and stunning circus arts. \nAs the venue fills with anticipation\, the lights dim\, and the crowd gets excited. Destiny La Vibe kicks off the night with her signature soulful sounds\, her powerful voice captivating everyone in attendance. The energy in the room is palpable as she seamlessly transitions into smooth R&B tracks that invite the audience to sway and groove along. The concert will feature special guests such as two-time Grammy award winning artist Clayton Bryant and the very sensational Dave Tony. \nDestiny La Vibe’s band\, Vibe Nation band\, will feature a stellar rhythm and horn section\, delivering an electrifying performance that gets hearts racing and feet moving. Their infectious rhythms and catchy hooks create an atmosphere of love and joy\, making it impossible not to sing along. The visuals are equally stunning\, with vibrant light displays that enhance every note and lyric. \nBut the night doesn’t stop there! Interspersed throughout the concert\, talented circus performers from CirqOvation dazzle the audience with breathtaking aerial acts and gravity-defying stunts. Imagine a trapeze artist soaring above while dancers twirl and spin\, adding a whimsical touch to the vibrant musical experience. The night leads to a sexy segment from Destiny La Vibe\, Goddess\, and Dominique’s Dance Creations that will set a fire deep within. \nWhat’s a night out without a surprise grand finale? The show will culminate in an unforgettable surprise. This Valentine’s Extravaganza with Destiny La Vibe is not just a musical event; it’s an immersive experience that will leave everyone buzzing with joy\, laughter\, and a little magic in the air. Don’t miss out on this love\, music\, and art celebration! \n  \n10% of Ticket Sales Will Be Donated to the Delta Sigma Theta Sorority Ithaca Alumnae Chapter’s Educational Development Scholarship.\n  \nTickets:\nVIP Package ($105) \nIntroducing the exclusive VIP ticket package for an unforgettable evening with RnB sensation M’busi! This special experience begins at 5:30 PM\, offering fans an intimate preshow. As part of this package\, VIP guests can enter the venue early\, with doors opening at 5:15 PM\, allowing you to soak in the atmosphere before the excitement starts. \nThe VIP package also includes a special meet-and-greet with Destiny La Vibe\, after the show where you’ll have the chance to engage\, take photos\, and enjoy exclusive insights into Destiny’s music and journey. You’ll also receive a special VIP gift bag filled with merchandise\, and a premium viewing spot for the concert ensures you won’t miss a moment of the electrifying performance. \n\n**Center Section – First & Second Row Seating**\n\n  \nRuby Chocolate Seating ($55) \nThe Ruby Chocolate seating offers a fantastic viewing experience. \n\n**Center Section – Third Row Seating**: The third row in the center section is an ideal spot for those who want a direct view of the performer. Positioned just a few rows back\, this seating offers a balanced perspective of the stage while still maintaining an intimate atmosphere. You’ll experience the energy of the crowd and have excellent sightlines for the entire performance\, making it a memorable experience.\n\nSeating in the Ruby Chocolate section promises an incredible night filled with music and excitement! Additionally\, you will find a special treat in your seat. \n  \nRegular ($35) \nRegular seating for the concert offers a lively and engaging experience for attendees. This section typically provides a mix of seating arrangements\, allowing fans to enjoy the show in a less formal setting. While you’ll be part of a larger crowd\, the atmosphere remains electric\, with everyone sharing a collective excitement for the performance. \n\n**Center Section – Fourth row & Back**:\n**Side Sections – (First Row is accessible seating)**:
URL:https://hangartheatre.org/event/destiny-la-vibe-presents-circus-of-love-valentines-extravaganza-2/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250208T193000
DTEND;TZID=America/New_York:20250208T193000
DTSTAMP:20260423T181759
CREATED:20250108T153059Z
LAST-MODIFIED:20250108T155011Z
UID:18646-1739043000-1739043000@hangartheatre.org
SUMMARY:Ithaca Ballet: WinterDance 2025
DESCRIPTION:Ithaca Ballet: WinterDance 2025\nSaturday\, February 8\, 2025 @ 7:30 pm\n  \nThe Ithaca Ballet presents WinterDance 2025\, an evening of cutting-edge\, contemporary choreography and dance. \n  \nRepertoire includes new choreography plus: \n-Meggin Roses’ “Blues in Pieces” and new “Stand by Me”\n-Larry Brantley’s “Trip-Tic”\n-Lavinia Reid’s Stratus \n  \n\nTickets:\nAdults – $20 \nStudents & Seniors – $15 \nChildren 12 & Under – $10 \n  \nPlease note seating is general admission for this performance.
URL:https://hangartheatre.org/event/ithaca-ballet-winterdance-2025/
LOCATION:NY
CATEGORIES:Ithaca Ballet,Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250130
DTEND;VALUE=DATE:20250202
DTSTAMP:20260423T181759
CREATED:20250102T191211Z
LAST-MODIFIED:20250129T225407Z
UID:18586-1738195200-1738454399@hangartheatre.org
SUMMARY:Edgar Allan Poe Speakeasy
DESCRIPTION:January 30th – February 1st\n  \nStep back in time and immerse yourself in the dark and mysterious world of Edgar Allan Poe. This exclusive speakeasy will transport you to a bygone era as you sip on expertly crafted cocktails inspired by four of Poe’s most beloved stories. Led by the speakeasy’s lead mixologist and Poe historians\, this immersive evening promises to be a chillingly unforgettable experience. Don’t miss your chance to bring Poe’s tales to life\, one sip at a time\, and get your tickets for Edgar Allan Poe Speakeasy in Ithaca! \n  \nPlease note the Hangar Theatre is not handling ticketing for this event
URL:https://hangartheatre.org/event/edgar-allan-poe-speakeasy/
LOCATION:NY
CATEGORIES:Hangar Rental
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250127T200000
DTEND;TZID=America/New_York:20250127T200000
DTSTAMP:20260423T181759
CREATED:20240424T140028Z
LAST-MODIFIED:20241105T164541Z
UID:18044-1738008000-1738008000@hangartheatre.org
SUMMARY:DSP Shows: Billy Prine & The Prine Time Band: The Songs of John Prine
DESCRIPTION:Monday\, January 27\, 2025\nShow at 8 p.m.\, Doors open at 7 p.m.\n\nOn-Sale: Friday\, April 26th @ 10 a.m. EST \n$35 in advance / $40 at the door \n  \nPlease note – the Hangar Theatre does not handle ticketing for DSP shows.  If you need assistance with tickets contact DSP directly at info@dspshows.com or 607-280-2900.
URL:https://hangartheatre.org/event/dsp-shows-billy-prine-the-prine-time-band-the-songs-of-john-prine/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241221T200000
DTEND;TZID=America/New_York:20241221T200000
DTSTAMP:20260423T181759
CREATED:20241016T202442Z
LAST-MODIFIED:20241216T164942Z
UID:18506-1734811200-1734811200@hangartheatre.org
SUMMARY:Gunpoets
DESCRIPTION:Gunpoets\nSaturday\, December 21\, at 8 pm\nPresented in partnership between WSKG and the Hangar Theatre\n  \nTickets: $20 (Children under 10: $3) \nDoors Open at 7 pm; Show is at 8 pm \nPlease note seating is general admission for this performance \n  \nGunpoets\nSince the Gunpoets formed in 2008\, their stellar catalog of albums and dedication to an ever growing and energized fan base has helped propel them to the top of the Central New York music scene. This seven-member live hip-hop band from Ithaca\, NY\, uses voice as a weapon\, words as bullets\, spreading the universal message of peace\, love\, and justice through music with their positive message and uplifting performances. In addition to being one of the top homegrown acts in their musically rich hometown\, Gunpoets have become staples at regional festivals such as the Finger Lakes GrassRoots Festival of Music and Dance and the Great Blue Heron Music Festival. Over their 15 years together\, they have become in-demand headliners at clubs and concert series across the Northeast.
URL:https://hangartheatre.org/event/gunpoets/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241214T200000
DTEND;TZID=America/New_York:20241214T200000
DTSTAMP:20260423T181759
CREATED:20240625T124017Z
LAST-MODIFIED:20241014T230943Z
UID:18247-1734206400-1734206400@hangartheatre.org
SUMMARY:DSP Shows: Willie Watson Tour
DESCRIPTION:Saturday\, December 14\, 2024\nShow at 8 p.m.\, Doors open at 7 p.m.\n\nOn-Sale: Friday\, June 21st \n$25 in advance / $30 at the door \nPlease note – the Hangar Theatre does not handle ticketing for DSP shows.  If you need assistance with tickets contact DSP directly at info@dspshows.com or 607-280-2900. \nWillie Watson\nSoon before Willie Watson turned 18\, he met God in an apple orchard. Or at the very least\, he met there a man named Ruby Love\, the older friend of a high-school buddy who had an enormous Martin guitar and a seemingly bigger understanding of the American folk songbook. Watson was existentially thirsty: A high-school dropout from upstate New York’s Finger Lakes\, he was fast on his way to his first heartbreak and in a first band that didn’t take itself seriously enough. But that night in an apple orchard that had always seemed magical\, at a graduation party for one of his bandmates and best friends\, Watson and Love sang a few of those old songs together—“Worried Man Blues” and “Tennessee Waltz.” It was the first time Watson had cried while singing\, the first time he had made the connection between making music and making sense of his life. He never saw Ruby Love again\, but within months of that foundational 1997 rendezvous\, he met the musicians with whom he’d soon start Old Crow Medicine Show. Call it revelation\, fate\, resurrection\, whatever you will; for Watson\, more than a quarter-century later\, it was a duet with the divine. \nAs told in the talking-gospel masterpiece “Reap ’em in the Valley\,” that scene is the transfixing finale of Watson’s self-titled debut as a songwriter and as a human at last making music to make sense of his life. Yes\, Watson has released two albums since he left Old Crow Medicine Show a dozen years ago and since his long-term collaborations with David Rawlings and Gillian Welch. \nBut those records\, both titled Folk Singer\, were sets of tunes he knew\, interpretations of the songbook he has diligently mined since even before that night in the apple orchard. At 44\, however\, he feels that Willie Watson is his first-ever true album\, having finally lived and lost and simply witnessed enough to know he has something to sing with his exquisite rural tenor. Watson has not abandoned those old songs entirely. He dazzles during a robust take on the forever-curious “Mole in the Ground” and treats “Harris and the Mare\,” the standard of tragic Canadian singer Stan Rogers\, with total tenderness. But by and large\, these are his stories of heartbreak and hurt\, backlit by the corona of hope that only growth can provide. \nEvery memory\, Watson likes to say\, is surrounded by a shroud of sadness\, whether it’s good or bad. And there are lots of memories in a life\, all mixed: Though the band he started soon after that night with Ruby Love long gave him a purpose and career\, it conscripted him into a role as an old-fashioned folkie\, forever stuck playing a part that got tiring. Marriage and fatherhood became boons in their own time\, but they kept him bound to Los Angeles\, its sprawl and selfishness causing a country boy like Watson to lose himself again. And there was the stereotypical excess of it all\, too\, the habits of hard living nearly breaking Watson in his 30s. \nBut after he lost those relationships\, he slowly got sober and faced himself head on\, working to be honest about the traumas of his childhood that had helped create the troubles of adulthood. Sobriety\, though\, was never enough for Watson. He wanted that shift to prompt change and growth\, to force him into situations that were beneficial because they were uncomfortable and challenging. That\, in many ways\, is the motivation of these nine songs and the only album he’s ever felt deserved to bear his name. \nIn 2020\, Watson began convening with Morgan Nagler\, an actress and songwriter he’d met years earlier through Rawlings. They’d discuss an idea and then often sit in silence\, scratching away at it separately as Watson wriggled around on a couch\, as if wrestling with his past in the real time of the present. Sometimes playful and sometimes persecuted\, the songs that emerged looked \nbackward to move ahead\, dealing with disappointments in phrases of crisp rhyme and sly wordplay. \nA post-pandemic solo tour had left Watson feeling drained by the idea of being some standalone entertainer\, onstage alone taming crowds who had forgotten how to listen amid extended isolation. He knew he wanted a band for these songs\, but he understood they only needed to be the framing beneath them\, supporting rather than distracting from these reckonings with self. Alongside producers Kenneth Pattengale and Gabe Witcher\, respectively of Milk Carton Kids and Punch Brothers\, Watson assembled a modest ensemble of aces who were largely new to him but would respond to the songs intuitively and without intrusion—bassist Paul Kowert\, guitarist Dylan Day\, drummer Jason Boesel\, fiddler Sami Braman. (Careful listeners may note cameos from Benmont Tench and Sebastian Steinberg\, too.) Start to finish\, these songs sound like moments of mutual discovery\, the entire group arriving together to look at Watson’s life and realize something about and for themselves. \n“Real Love” harkens back to those days in rural New York\, with Watson opening himself to the wreckage that comes with falling for someone for the first time. He is fragile but resolute here\, pressing on in spite of vestigial pain. “Sad Song” thrums like some muted and modern Jimmie Rodgers number\, as Watson tries to play-act happiness one more time for a society that’s just wanted him to grin and sing. Echoing the rippling and beautiful despair of Gordon Lightfoot\, the gorgeous “Play It One More Time” examines the fleeting salve of music itself\, or how the help it gives us can fade when we’re not truly hearing. \nAnd then there’s the hotrod acoustic opener\, “Slim and the Devil\,” a wits-sharp adaptation of the Sterling A. Brown poem “Slim Greer in Hell.” The story of a Faustian bargain made with St. Peter at the pearly gates in exchange for one more earthly adventure\, it’s a sly contemplation of the meaningless deals we make to endure when we all know what’s inevitable\, anyway. Watson does it\, too\, so he winks at himself alongside a band that’s having a blast having his back. Still\, there is no winking to “Already Gone\,” a devastating if elegant survey of the damage we leave behind as we make bad choices\, as we force people to leave our lives. “There’s no hearts to break here\,” Watson offers before the knockout. “They’re already gone.” \nThese days\, Watson looks askance at his old reputation and knows other people do\, too. “‘I thought you were just some nice little singer who sang in the little fucking cowboy hat\,’” he deadpans\, characterizing the perception he knows he has in many ways courted. And he recognizes that people probably don’t think he can write his own songs of meaning and depth\, since he spent so long reworking those of others. For a long time\, he bought that\, too. But the hat is off\, as is the desire to be a mere entertainer or interpreter. The nine songs on Willie Watson find a bona fide songwriter dealing with the difficulties of his past to suggest a renewed future; what’s more\, he uses his keen and expansive understanding of an old lexicon to add his own new entries to it. As with the best folk songs\, you will recognize your own burdens here. As with the best folk singers\, you will feel compelled to sound them out\, too. Who knows\, maybe you’ll even meet God in an apple orchard.
URL:https://hangartheatre.org/event/dsp-shows-willie-watson-tour/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241208T143000
DTEND;TZID=America/New_York:20241208T163000
DTSTAMP:20260423T181759
CREATED:20241002T010829Z
LAST-MODIFIED:20241125T232654Z
UID:18454-1733668200-1733675400@hangartheatre.org
SUMMARY:Hangar Hobnob – Community Performance
DESCRIPTION:  \nHangar Theatre’s 50th Anniversary Fundraiser: Community Performance\n  \nA Concert Reading of A Christmas Carol\n  \nSunday\, December 8\, 2024\, 2:30–4:30 pm\n  \nJoin us for an encore performance of the concert version of Ithaca-based playwright Aoise Stratford’s adaptation of Charles Dickens’ classic book\, A Christmas Carol for the community the day after the Hobnob.  A concert reading is produced with minimal staging and scripts in hand\, with a focus on the language and storytelling.  Produced at the Hangar Theatre from 2017-2019\, we are thrilled to share this relevant and stirring story with our community once again\, in a performance that will include many of Ithaca’s favorite performers. \n  \nEmbark on a journey to 19th century London in an encore presentation of A Christmas Carol.  Follow along with Ebenezer Scrooge as he is visited by the Ghosts of Christmas Past\, Present\, and Future in this timeless tale.  An intergenerational store of hope and redemption for the whole family. \n  \nAll ticket sales and proceeds from this festive fundraiser will support the Hangar Theatre’s 50th Year\, including an exciting selection of mainstage performances\, KIDDSTUFF productions\, and dynamic educational programming for young people and emerging artists.
URL:https://hangartheatre.org/event/hangar-hobnob-community-performance/
LOCATION:NY
CATEGORIES:Hangar Fundraising Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241207T183000
DTEND;TZID=America/New_York:20241207T213000
DTSTAMP:20260423T181759
CREATED:20241002T010413Z
LAST-MODIFIED:20241125T232404Z
UID:18446-1733596200-1733607000@hangartheatre.org
SUMMARY:Hangar Hobnob
DESCRIPTION:Hangar Theatre’s 50th Anniversary Fundraiser: Hangar Hobnob\n  \nA Special Celebration Featuring a Concert Reading of A Christmas Carol\, Seasonal Music\, and Festive Food and Drink\n  \nSaturday\, December 7\, 2024\, 6:30–9:30 pm\n  \nJoin us for a joyful holiday tradition\, while supporting the Hangar Theatre’s artistic and educational programming! We’ll present a concert version of Ithaca-based playwright Aoise Stratford’s adaptation of Charles Dickens’ classic book\, A Christmas Carol and celebrate together before and after the show. A concert reading is produced with minimal staging and scripts in hand\, with a focus on the language and storytelling.  Produced at the Hangar from 2017-2019\, we are thrilled to share this relevant and stirring story with our community once again\, in a performance that will include many of Ithaca’s favorite performers. More information to come! \n  \nAll ticket sales and proceeds from this festive fundraiser will support the Hangar Theatre’s 50th Year\, including an exciting selection of mainstage performances\, KIDDSTUFF productions\, and dynamic educational programming for young people and emerging artists. \n  \nAll tickets include: \n\nAn all-appetizer catered reception\nOpen bar with local wines\, beer from Liquid State\, and a variety of non-alcoholic refreshments\nLive seasonal music\nA final chance to bid on items in our online silent auction\nThe opportunity to win a super special prize package filled with Ithaca delights including an overnight stay at the Inn at Taughannock\, dinner at Maxie’s Supper Club\, a bottle of Wagner sparkling wine\, tickets to a Hangar Theatre show\, and more!\n\nThe concert version of A Christmas Carol features Hangar favorites Greg Bostwick as Scrooge and Bob Moss as Jacob Marley\, also including Adara Alston\, Mike Cyr\, Chantelle Daniel\, Meg Elliot\, Robin Guiver\,\, Ifeoma Ihuoma\, Liv Licursi\, Max Lorn-Krause\, Kathleen Mulligan\, Dean Robinson\, Colin Smith\, Sylvie Yntema\, and Young Company members Atticus Cyr\, Langston Knight\, Theo Kuo\, Una Kuo\, Luciana Parr\, Gemma Phipps\, Gabriella Rubacky\, and Oliver Thoemmes! \n  \n  \n 
URL:https://hangartheatre.org/event/hangar-hobnob/
LOCATION:NY
CATEGORIES:Hangar Fundraising Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241113T200000
DTEND;TZID=America/New_York:20241113T200000
DTSTAMP:20260423T181759
CREATED:20240924T164941Z
LAST-MODIFIED:20241014T230907Z
UID:18458-1731528000-1731528000@hangartheatre.org
SUMMARY:DSP Shows: Leo Kottke
DESCRIPTION:  \nWednesday\, November 13\, 2024\nShow at 8 pm; Doors open at 7 pm\n  \nOn Sale: Friday\, 9/27 at 10 am \nTickets: $45 \n  \nPlease note – the Hangar Theatre does not handle ticketing for DSP shows.  If you need assistance with tickets contact DSP directly at info@dspshows.com or 607-280-2900. \n  \nLeo Kottke \nAcoustic guitarist Leo Kottke was born in Athens\, Georgia\, but left town after a year and a half. Raised in 12 different states\, he absorbed a variety of musical influences as a child\, flirting with both violin and trombone\, before abandoning Stravinsky for the guitar at age 11. \nAfter adding a love for the country-blues of Mississippi John Hurt to the music of John Phillip Sousa and Preston Epps\, Kottke joined the Navy underage\, to be underwater\, and eventually lost some hearing shooting at lightbulbs in the Atlantic while serving on the USS Halfbeak\, a diesel submarine. \nKottke had previously entered college at the U of Missouri\, dropping out after a year to hitchhike across the country to South Carolina\, then to New London and into the Navy\, with his twelve string. “The trip was not something I enjoyed\,” he has said\, “I was broke and met too many interesting people.” \nDischarged in 1964\, he settled in the Twin Cities area and became a fixture at Minneapolis’ Scholar Coffeehouse\, which had been home to Bob Dylan and John Koerner. He issued his 1968 recording debut LP Twelve String Blues\, recorded on a Viking quarter-inch tape recorder\, for the Scholar’s tiny Oblivion label. (The label released one other LP by The Langston Hughes Memorial Eclectic Jazz Band.) \nAfter sending tapes to guitarist John Fahey\, Kottke was signed to Fahey’s Takoma label\, releasing what has come to be called the Armadillo record. Fahey and his manager Denny Bruce soon secured a production deal for Kottke with Capitol Records. \nKottke’s 1971 major-label debut\, “Mudlark\,” positioned him somewhat uneasily in the singer/songwriter vein\, despite his own wishes to remain an instrumental performer. Still\, despite arguments with label heads as well as with Bruce\, Kottke flourished during his tenure on Capitol\, as records like 1972’s “Greenhouse” and 1973’s live “My Feet Are Smiling” and “Ice Water” found him branching out with guest musicians and honing his guitar technique. \nWith 1975’s Chewing Pine\, Kottke reached the U.S. Top 30 for the second time; he also gained an international following thanks to his continuing tours in Europe and Australia. \nHis collaboration with Phish bassist Mike Gordon\, “Clone\,” caught audiences’ attention in 2002. Kottke and Gordon followed with a recording in the Bahamas called “Sixty Six Steps\,” produced by Leo’s old friend and Prince producer David Z. \nKottke has been awarded two Grammy nominations; a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin\, Milwaukee; and a Certificate of Significant Achievement in Not Playing the Trombone from the U of Texas at Brownsville with Texas Southmost College.
URL:https://hangartheatre.org/event/dsp-shows-leo-kottke/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241109T190000
DTEND;TZID=America/New_York:20241109T190000
DTSTAMP:20260423T181759
CREATED:20240913T175009Z
LAST-MODIFIED:20241109T183139Z
UID:18431-1731178800-1731178800@hangartheatre.org
SUMMARY:A Tribute to the King – Elvis! Featuring Terry Buchwald
DESCRIPTION:Saturday\, November 9\, 2024\nShow at 7 pm\, Doors open at 6 pm \nTickets: $20 \nTerry Buchwald \nTerry Buchwald is a well-known tribute artist and recording artist from Western New York\, who has earned the distinction of being named one of the top tribute artists in the United States by the Los Angeles times and is a proud member of the Buffalo Music Hall of Fame Class of 2017. Audiences across the nation are astonished by his dynamic voice and striking resemblance to Elvis. By all accounts\, Terry has the looks\, the moves and the voice of the legendary “King.”  He has a tremendous following in and around Ithaca and has sold out the last several shows at our Hangar Theatre- get your tickets now! \n\n\nPlease note seating for this performance is General Admission. \n\n\nThis show is sold out.  To get on the wait list\, come to the theatre starting at 5:30pm on Saturday 11/9 and put your name on the list.  At 7pm\, if there are any unclaimed tickets we will release seats and take people from the wait list on a first-come first-served basis.
URL:https://hangartheatre.org/event/a-tribute-to-king-elvis-featuring-terry-buchwald/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241024
DTEND;VALUE=DATE:20241104
DTSTAMP:20260423T181759
CREATED:20240903T234658Z
LAST-MODIFIED:20241022T172457Z
UID:18421-1729728000-1730678399@hangartheatre.org
SUMMARY:Ithaca College in Rotation: Fever/Dream & Stupid F##king Bird
DESCRIPTION:October 24 – November 3\, 2024\n  \nFEVER/DREAM\nBy Sheila Callaghan\nDirected by Cynthia Henderson \nBased on Pedro Calderón de la Barca’s 1636 play Life is a Dream\, Fever/Dream chronicles a man’s rise from customer service representative to CEO\, satirizing corporate America. \n\nSTUPID F##KING BIRD\nBy Aaron Posner\nSort of adapted from THE SEAGULL\nBy Anton Chekov\nDirected by Marc Gomes \n\n Stupid F##king Bird\, loosely based on Anton Chekhov’s The Seagull\, explores the timeless struggles between generations\, art\, love\, and growing up. \n  \nFever/Dream & Stupid F##king Bird will be performed in rotation at Hangar Theatre. \n\n\nPerformance Dates & Times: \n \nSTUPID F##KING BIRD\nThursday\, October 24\, 2024 at 8 pm\nSaturday\, October 26\, 2024 at 2 pm\nWednesday\, October 30\, 2024 at 8 pm\nFriday\, November 1\, 2024 at 8 pm\nSaturday\, November 2\, 2024 at 8 pm \n  \n \nFEVER/DREAM\nFriday\, October 25\, 2024 at 8 pm\nSaturday\, October 26\, 2024 at 8 pm\nThursday\, October 31\, 2024 at 8 pm\nSaturday\, November 2\, 2024 at 2 pm\nSunday\, November 3\, 2024 at 2 pm
URL:https://hangartheatre.org/event/ithaca-college-in-rotation-fever-dream-stupid-fking-bird/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241019
DTEND;VALUE=DATE:20241020
DTSTAMP:20260423T181759
CREATED:20240828T230309Z
LAST-MODIFIED:20241014T230321Z
UID:18412-1729296000-1729382399@hangartheatre.org
SUMMARY:Ithaca Ballet: Hansel and Gretel & Peter and the Wolf
DESCRIPTION:Saturday\, October 19 at 3 pm & 7 pm\n  \nThe Ithaca premiere of Hansel and Gretel will highlight the Ithaca Ballet’s Fall children’s performance.  Choreographed by Lavinia Reid with music by Engelbert Humperdinck\, the Grimm’s well known fairytale in ballet form tells the story of a brother and sister wandering in the forest\, encountering an evil witch and her enchanted gingerbread house. \nThe second half of the program is Peter and the Wolf\, music by Serge Prokofiev and narrated by Peter Ustinov. \nInformation about Ithaca Ballet: ithacaballet.org \n  \nPlease note seating is general admission for this show. \nThe run time is approximately 1 hour 20 minutes\, including an intermission.
URL:https://hangartheatre.org/event/ithaca-ballet-hansel-and-gretel-peter-and-the-wolf/
LOCATION:NY
CATEGORIES:Ithaca Ballet,Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241004
DTEND;VALUE=DATE:20241007
DTSTAMP:20260423T181759
CREATED:20240822T012358Z
LAST-MODIFIED:20240822T012358Z
UID:18394-1728000000-1728259199@hangartheatre.org
SUMMARY:Opera Ithaca Presents: Cosi fan tutte
DESCRIPTION:Friday\, October 4\, 2024 at 7:30 p.m.\nSunday\, October 7\, 2024 at 2:00 p.m.\n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCosi fan tutte\nby Wolfgang Amadeus Mozart \n\n\n\nOn the set of a soap opera in the 1980s unfolds a Così fan tutte like you have never seen before! In a story where the real and scripted life are in parallel\, both on camera and off\, anything can happen. You’ll have to tune in to find out!
URL:https://hangartheatre.org/event/opera-ithaca-presents-cosi-fan-tutte/
LOCATION:Hangar Theatre Indoor Neiderkorn Stage\, 801 Taughannock Blvd.\, Ithaca\, NY\, 14850\, United States
CATEGORIES:Opera Ithaca,Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240927T200000
DTEND;TZID=America/New_York:20240927T200000
DTSTAMP:20260423T181759
CREATED:20240717T112832Z
LAST-MODIFIED:20240717T112832Z
UID:18346-1727467200-1727467200@hangartheatre.org
SUMMARY:DSP Shows: Iris DeMent
DESCRIPTION:Friday\, September 27\, 2024\nShow at 8 p.m.\, Doors open at 7 p.m.\n\nOn-Sale: Friday\, June 14th \n$45 in advance / $50 at the door \nHeadliner: Iris DeMent\n \nSupport: Ana Egge \n  \nIris DeMent \nOn her transcendent new record\, Workin’ On A World\, Iris DeMent faces the modern world — as it is right now — with its climate catastrophe\, pandemic illness\, and epidemic of violence and social injustice — and not only asks us how we can keep working towards a better world\, but implores us to love each other\, despite our very different ways of seeing. Her songs are her way of healing our broken inner and outer spaces. \nWith an inimitable voice as John Prine described\, “like you’ve heard\, but not really\,” and unforgettable melodies rooted in hymns\, gospel\, and old country music\, she’s simply one of the finest singer-songwriters in America as well as one of our fiercest advocates for human rights. Her debut record Infamous Angel\, which just celebrated its 30th anniversary\, was recently named one of the “greatest country albums of all time” by Rolling Stone\, and the two albums that followed\, My Life and The Way I Should\, were both nominated for GRAMMYs. From there\, DeMent released three records on her own label\, Flariella Records\, the most recent of which\, The Trackless Woods (2015)\, was hailed as “a quietly powerful triumph” by The Guardian. DeMent’s songs have also been featured in film (True Grit) and television (The Leftovers) and recorded by numerous artists. Fittingly\, she received the Americana Music Trailblazer Award in 2017. \nWorkin’ On A World\, her seventh album\, started with the worry that woke DeMent up after the 2016 elections: how can we survive this? “Every day some new trauma was being added to the old ones that kept repeating themselves\, and like everybody else\, I was just trying to bear up under it all\,” she recalls. She returned to a truth she had known since childhood: music is medicine. “My mom always had a way of finding the song that would prove equal to whatever situation we were facing. Throughout my life\, songs have been lending me a hand. Writing songs\, singing songs\, putting them on records\, has been a way for me to extend that hand to others.” \nWith grace\, courage\, and soul\, Iris shares 13 anthems — love songs\, really — to and for our broken inner and outer worlds. DeMent sets the stage for the album with the title track in which she moves from a sense of despair towards a place of promise. “Now I’m workin’ on a world I may never see / Joinin’ forces with the warriors of love / Who came before and will follow you and me.” \nShe summons various social justice warriors\, both past and present\, to deliver messages of optimism. “How Long” references Martin Luther King\, while “Warriors of Love” includes John Lewis and Rachel Corrie. “Goin’ Down To Sing in Texas” is an ode not only to gun control\, but also to the brave folks who speak out against tyranny and endure the consequences in an unjust world. “I kept hearing a lot of talk about the arc of history that Dr. King so famously said bends towards justice\,” she recalls. “I was having my doubts. But\, then it dawned on me\, he never said the arc would magically bend itself. Songs\, over the course of history\, have proven to be pretty good arc benders.” \nBending inward\, DeMent reaches agilely under the slippery surface of politics. She grapples with loss on the deeply honest “I Won’t Ask You Why\,” while encouraging compassion over hate in the awe-inspiring “Say A Good Word.” Album closer \n“Waycross\, Georgia\,” encompasses the end of the journey\, thanking those along the way. As she approaches subjects of aging\, loss\, suicide\, and service\, an arc of compassion elevated to something far beyond words is transmitted. The delicate fierceness encompassed in the riveting power of her voice has somehow only grown over time. \nStalled partway through by the pandemic\, the record took six years to make with the help of three friends and co-producers: Richard Bennett\, Pieta Brown\, and Jim Rooney. It was Pieta Brown who gave the record its final push. “Pieta asked me what had come of the recordings I’d done with Jim and Richard in 2019 and 2020. I told her I’d pretty much given up on trying to make a record. She asked would I mind if she had a listen. So\, I had everything we’d done sent over to her\, and not long after that I got a text\, bouncing with exclamation marks: ‘You have a record and it’s called Workin’ On A World!’” With Bennett back in the studio with them\, Brown and DeMent recorded several more songs and put the final touches on the record in Nashville in April of 2022. \nThe result is a hopeful album — shimmering with brilliant flashes of poignant humor and uplifting tenderness — that speaks the truth\, “in the way that truth is always hopeful\,” she explains. Reflecting on the lyrics of the song “The Sacred Now” (“see these walls/ let’s bring ‘em on down / it’s not a dream; it’s the sacred now”)\, DeMent is reminded of Jesus saying the Kingdom of God is within you and the Buddhist activist monk Thich Nhat Hanh saying the rose is in the compost; the compost is in the rose. On Workin’ On A World\, Iris DeMent demonstrates that songs are the healing and the healing arises through song. \nAna Egge \nAna Egge is a singer-songwriter and apprentice luthier from Brooklyn\, NY. She has released 13 studio albums\, playing her homemade guitar. Egge’s music has been praised by critics for its honesty\, vulnerability\, and beauty. She was born in Canada\, and raised in North Dakota\, and has toured extensively throughout North America and Europe. Egge is the subject of a 2015 documentary film\, Bright Shadow. She has been featured in Billboard\, Rolling Stone\, and on NPR to name a few. Lucinda Williams calls her “the folk Nina Simone.” \nEgge’s newest album\, “Sharing in the Spirit\,” is a collection of songs that touch on politics\, addiction\, sex\, and love. The album was produced by Lorenzo Wolff following their previous collaboration\, 2021’s “Between Us.” \nThe album opens with “Don’t You Sleep\,” a civil rights celebration of hope and hard work. “Where Berries Grow” is a biblical\, bluegrass beauty about people Ana has loved and known. The album also touches on addiction and sobriety\, with songs like “Mission Bells Moan” and an adapted cover of the classic “Sorry You’re Sick\,” by Ted Hawkins. The final track and first single is sung in tribute\, “Last Day of Our Acquaintance\,” penned by the late\, great Sinead O’Connor. \n“Sharing in the Spirit” is an addictive mix of fearless strength and an almost childlike sense of fun. Seen in the cover photograph of Ana driving her minibike at the age of five and in the back cover photo where Ana revisits her childhood home of Ambrose\, North Dakota\, now a ghost town where the streets have been reclaimed by prairie grass. The music inside is a dream born from dreams.
URL:https://hangartheatre.org/event/dsp-shows-iris-dement/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240920T200000
DTEND;TZID=America/New_York:20240920T200000
DTSTAMP:20260423T181759
CREATED:20240523T210358Z
LAST-MODIFIED:20240523T210358Z
UID:18114-1726862400-1726862400@hangartheatre.org
SUMMARY:DSP Shows: Preacher Lawson: Best Day Ever
DESCRIPTION:  \n  \nFriday\, September 20\, 2024\nShow at 8 p.m.\, Doors open at 7 p.m.\n\nOn-Sale: Wednesday\, May 22nd \n$35 in advance / $40 at the door \n  \nPreacher Lawson was born in Portland\, OR\, but spent most of his adolescence in Memphis\, TN. He moved 20 times before the age of 10\, but if you asked him what city he’s from he’d say Orlando\, FL\, because that’s where he grew as a comedian. Lawson is best known for his appearance on season 12 of NBC’s hit series\, AMERICA’S GOT TALENT (2017) where he made it to the final round. Based off his stellar performance in season 12\, Lawson was invited to compete on AMERICA’S GOT TALENT: THE CHAMPIONS (2019) and BRITAN’S GOT TALENT: THE CHAMPIONS (2019) where he advanced to the finale after receiving the most fan votes. Most recently he was handpicked by Howie Mandell to\nparticipate in AMERICA’S GOT TALENT: FANTASY LEAGUE (2024). Lawson shot his first stand-up special\, GET TO KNOW ME\, which premiered on BET+ in 2019\, then Amazon. His most recent special MY NAME IS PREACHER is set to be released globally on YouTube on March 14th  2024.\nIn Television\, Lawson can be seen on HBO’s A BLACK LADY SKETCH SHOW\, I THINK YOU SHOULD LEAVE with TIM ROBINSON\, TOURNAMENT OF LAUGHS on TBS\, as well as NBC’s CONNECTING as a series regular. He also hosted the Facebook Watch series WORLD’S MOST AMAZING DOGS (2019) with George Lopez and Lisa Vanderpump. He can be seen on THE TONIGHT SHOW talking about his fame recognition and MMA fight. \nLawson has built a massive following on TikTok of 3.4 Million followers. His YouTube channel has amassed over 640\,000 subscribers and features clips of stand-up\, MMA training\, and even Vegan cooking tips! He recently completed his residency hosting AGT Live in Las Vegas and continues to perform at sold-out venues around the world.
URL:https://hangartheatre.org/event/dsp-shows-preacher-lawson-best-day-ever/
LOCATION:NY
CATEGORIES:DSP Shows
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240906T200000
DTEND;TZID=America/New_York:20240906T200000
DTSTAMP:20260423T181759
CREATED:20240625T165602Z
LAST-MODIFIED:20240625T165602Z
UID:18251-1725652800-1725652800@hangartheatre.org
SUMMARY:DSP Shows: Steve Hofstetter
DESCRIPTION:Friday\, September 6\, 2024\nShow at 8 p.m.\, Doors open at 7 p.m.\n\nOn-Sale: Friday\, June 28th at 10am \n$25 in advance / $30 at the door / $75 M&G \n  \nOne of YouTube’s most popular comics with over 225 million views and half a billion more on Facebook\, Steve Hofstetter is also the host of Finding Babe Ruth on FS1. Hofstetter was the host and executive producer of Laughs (FOX) and he has been on CBS’ The Late Late Show\, E! True Hollywood Story\, Comics Unleashed\, and more. He’s sold out shows in hundreds of cities and dozens of countries. Now is your chance to find out what the fuss is about during this no-holds-barred stand-up performance\, featuring some of his unfiltered observations about life.
URL:https://hangartheatre.org/event/dsp-shows-steve-hofstetter/
LOCATION:NY
CATEGORIES:DSP Shows
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240902
DTEND;VALUE=DATE:20240903
DTSTAMP:20260423T181759
CREATED:20240828T172804Z
LAST-MODIFIED:20240828T172804Z
UID:18408-1725235200-1725321599@hangartheatre.org
SUMMARY:Hupstate Circus Festival: Cirque Us Stories
DESCRIPTION:Monday\, September 2 at 12 pm \n“Cirque Us Stories” is a thoughtfully curated show that flips through the pages of our troupe’s favorite stories to bring you a touching\, thrilling narrative about community and identity. Interweaving a collection of folktales\, classic literature\, children’s stories\, modern fiction\, and more\, this show jumps off the page with twists\, flips\, rewrites\, and retellings of stories you’ll love. The show features aerialists\, jugglers\, acrobats\, contortionists\, clowns\, and more\, all ready to fly off the shelf and straight to you. \nCirque Us Stories is proud to be the recipient of the 2023 Philadelphia Fringe Festival Award for “Best Circus” \nRecommended for all ages (Kids tickets are free) \n 
URL:https://hangartheatre.org/event/hupstate-circus-festival-cirque-us-stories/
LOCATION:NY
CATEGORIES:Community Partners
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240830
DTEND;VALUE=DATE:20240901
DTSTAMP:20260423T181759
CREATED:20240828T172235Z
LAST-MODIFIED:20240828T172235Z
UID:18403-1724976000-1725148799@hangartheatre.org
SUMMARY:Hupstate Circus Festival: PLAY DEAD
DESCRIPTION:by People Watching Collective \nFriday\, August 30 at 7 pm\nSaturday\, August 31 at 2 pm \nSet in a shifting universe of domestic trappings and interlocking stories\, People Watching’s first creation ‘Play Dead’ observes the way we navigate social connections. Through it’s surrealistic blend of acrobatics\, movement and physical theater\, the piece moves with larger than life physicality while bathing in an intimate atmosphere. By giving place for seemingly unexceptional stories to unfold\, we look closer and marvel at how beautiful\, twisted\, and sometimes laughable reality can be. Balanced on the cusp of the familiar and the otherworldly\, this performance is a reflection on the twilight of youth and all the uncertainties\, flawed ideals and sheer exhilaration that such an age encompasses. But rather than settling into bored fatalism\, this piece celebrates life\, the same way people desperately dance to the last song before the party ends. \n  \nRecommended for ages 16+ \n 
URL:https://hangartheatre.org/event/hupstate-circus-festival-play-dead/
LOCATION:NY
CATEGORIES:Community Partners
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240802
DTEND;VALUE=DATE:20240805
DTSTAMP:20260423T181759
CREATED:20240326T164232Z
LAST-MODIFIED:20240422T010636Z
UID:17984-1722556800-1722815999@hangartheatre.org
SUMMARY:The Addams Family: Young@Part® Edition
DESCRIPTION:The Next Generation School of Theatre Presents:\n  \nThe Addams Family: Young@Part® Edition\nBook by Marshall Brickman and Rick Elice\nMusic and Lyrics by Andrew Lippa\nBased on characters created by Charles Addams\nYoung@Part® Edition adapted by Marc Tumminelli\nYoung@Part® Edition originally produced at Broadway Workshop in New York City \nAUGUST 2–4\, 2024 \nWednesday Addams\, the ultimate princess of darkness\, has grown up and fallen in love. She confides in her father and begs him not to tell her mother. Now\, Gomez Addams must do something he’s never done before: keep a secret from Morticia\, his beloved wife. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s new boyfriend and his parents. A memorable musical about accepting differences and recognizing what brings us all together. \nPlease note: This Hangar Theatre KIDDSTUFF performance of The Addams Family will take place indoors on the Niederkorn stage. \n \nShowtimes\nFriday\, Aug. 2\, at 10:00 a.m.\nFriday\, Aug. 2\, at Noon\nSaturday\, Aug. 3\, at 10:00 a.m.\nSaturday\, Aug. 3\, at Noon\nSunday\, Aug. 4\, at Noon \n 
URL:https://hangartheatre.org/event/the-addams-family-youngpart-edition/
LOCATION:NY
CATEGORIES:KIDDSTUFF
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240727
DTEND;VALUE=DATE:20240804
DTSTAMP:20260423T181759
CREATED:20240216T192559Z
LAST-MODIFIED:20240803T182535Z
UID:17784-1722038400-1722729599@hangartheatre.org
SUMMARY:Todd vs. The Titanic
DESCRIPTION:A NOTE FOR AUG. 2nd TICKET HOLDERS:\nThose holding tickets for the canceled performance of Todd vs. the Titanic on Friday\, Aug. 2 can exchange their tickets for either of the two remaining performances\, which are at 2:30 p.m. and 7:30 p.m. on Saturday\, Aug. 3. There is no additional charge for this exchange. \nIf those holding Aug. 2nd tickets are unable to attend either performance on Saturday\, Aug. 3\, you may request a credit which can be used for a future Hangar Theatre Company production. Please contact us at boxoffice@hangartheatre.org for assistance. We apologize for any inconvenience this has caused\, and thank you for your understanding. \n************************************ \nThe Adirondack Theatre Festival World Premiere Production of \nTodd vs. The Titanic\nMusic by Joe Kinosian\, Lyrics by Kellen Blair\, & Book by Scott Rothman\nDirected by Meredith McDonough\n  \nJULY 27–AUGUST 3\, 2024 \nIn a post-apocalyptic near-future\, an undisclosed “event” has wiped out most of the human race\, including every cast member of a new musical about the sinking of the Titanic. Everyone\, that is\, except for Todd\, who was cast in the show’s smallest role. As the world burns\, Todd claws his way into the abandoned\, bombed-out theater to perform the entire musical alone—without his partner\, without his fellow cast members\, and possibly as the last person on earth. Join us for the world premiere of this hilarious and heartfelt new musical comedy! \n  \nPerformance Schedule\nSaturday\, July 27 at 2:30 pm (preview)\nSaturday\, July 27 at 7:30 pm (opening night)\nSunday\, July 28 at 2:30 pm\nTuesday\, July 30 at 7:30 pm\nWednesday\, July 31 at 7:30 pm\nThursday\, August 1 at 7:30 pm\nFriday\, August 2 at 7:30 pm\nSaturday\, August 3 at 2:30 pm\nSaturday\, August 3 at 7:30 pm \n  \nMeet the Team\nJoe Kinosian\nTodd \nMeredith McDonough\nDirector \nAndrew Mannion\nOriginal Set Design \nBrittney Belz\nOriginal Costume Design \nTyler M. Perry\nLighting Design \nJared Klein and Taylor Jaskula\nOriginal Lighting Design \nJamie Davis\nOriginal Sound Design \nPaul Deziel\nOriginal Projection Design \nAbigail Caimano\nOriginal Props Design \nJohn Alecci\nOriginal Music Direction \nRafidi \nProduction Stage Manager
URL:https://hangartheatre.org/event/todd-vs-the-titanic/
LOCATION:NY
CATEGORIES:Mainstage
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240725
DTEND;VALUE=DATE:20240729
DTSTAMP:20260423T181759
CREATED:20240324T175506Z
LAST-MODIFIED:20240422T010441Z
UID:17955-1721865600-1722211199@hangartheatre.org
SUMMARY:Pete the Cat
DESCRIPTION:Pete the Cat\nA Hangar Theatre KIDDSTUFF Production\nScript and Lyrics by Sarah Hammond\nMusic by Will Aronson\nBased on the Pete the Cat series of books by Kimberly and James Dean\n\n \nJULY 25–28\, 2024 \nFor Pete the Cat\, life is an adventure no matter where you wind up. So the minute the groovy blue cat meets the Biddles\, he gets the whole family rocking—that is\, except for young Jimmy Biddle\, the most organized second-grader on planet Earth. But when Jimmy “draws a blank” in art class during the last week of school\, Pete becomes the perfect pal to help! In this crowd-pleasing musical\, they set out together on a mission to help Jimmy conquer second-grade art and\, along the way\, learn something new about inspiration and creativity. \nPlease note: Pete the Cat will take place on the outdoor stage under the KIDDSTUFF tent. \nShowtimes\nThursday\, July 25\, at Noon\nFriday\, July 26\, at 10:00 a.m.\nFriday\, July 26\, at Noon\nSaturday\, July 27\, at 10:00 a.m.\nSaturday\, July 27\, at at Noon\nSunday\, July 28\, at Noon \n  \n 
URL:https://hangartheatre.org/event/pete-the-cat/
LOCATION:Hangar Theatre Outdoor Stage\, 801 Taughannock Blvd.\, Ithaca\, NY\, 14850\, United States
CATEGORIES:KIDDSTUFF
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END:VCALENDAR